The Owen Wilson co-written ones are the best by miles. I will fight over this.

It’s true he’s been awful since Queer as Folk, but if you’ve heard his normal speaking voice in The Gentlemen it’s kind of understandable that his character accents always sound a bit forced.

Jason Bateman. Used to be Jeremy Renner and Tim Robbins so I guess it’s an unconscious bias against little guys with too-big faces for their features.

Everybody makes online personae and code switches between them for each platform, whether they’re aware of it or not. Facebook was, and is, all about cringe attention seeking.

It’s <center>, obviously.

I’m still trapped in vim 25 years on.

Frankie Teardrop may be a bit over-dramatic, but come on! Cheree, Diamond Fur Coat Champagne, Harlem, Keep Your Dreams, Surrender are all bangers.

Customer requirements are basically always “I want what my Excel sheet used to do”.

It’s a novel, but “It Can’t Happen Here” follows a scenario where a populist becomes President and removes all opposition.

It’s funny how detailed the graphics are and then the keypad of the till is just a flat texture.

About time.

Darth Fluenza was already taken.

Had a client do this to me once. They uploaded a screen grab of an error page from a different system into the CMS we made them, and then reported it as a bug.

My self-affirming mantra is “we will bury you”.

Got ours a tunnel and they won’t even sniff it.

Duckman

Patsy’s 70s were even crazier than she can remember.

Monsters doing a huge full-frame roar before attacking ever since that film.

The dance fighting where they’re not even trying to score a hit on each other.

You get all the adults now who like the prequels even though they’re terrible because it’s what they grew up with, so of course that means now we’re getting a generation for whom the Rey trilogy is their Star Wars.